All in all I am pretty fond of all their korean made Instruments, and am always looking for the "S" on the serial #.But, thats just me. They also have plants in Indonesia, China and other asian countries, They are the makers of your higher and lower end squiers and other solid body 'gits. You increase that with a larger than ever "aftermarket" of electronics ( p-ups,harness's, switches, jacks)and a more educated/trained player on 'the how' to make these upgrades, has made and increasingly making these a axe of choice. The quality of these 'gits made in the '80s and '90s are know being appreciated even more and is including a broader/higher grade of player as the woods are aging in these guitars, and the price increases of the major labels/makers, and the fall of american buying power. Also has a coil tap switch between the volume and tone knobs. Gold hardware and a Floyd Rose Licensed tremolo system with locking nut. The guitar is in the rare Marble Stone Gold Sunburst finish. The quality of the 'gits made in their Korean plant have always been held in high regard, especially for intermediate players, or players on a budget. Samick KR-660 Artist Series guitar, in a SuperStrat-style body configuration. You could expect to ask between 200 and 275 for her, depending upon the local market and demand. She is very pretty, and in really good shape. of guitars in the world.They make the majority of set-neck guitars for Epi., Washburn, Hamer, and others. Carl, I have done a lot of digging around on that Samick Strat-copy, and it is clearly one of many such instruments produced in Korea in the late 1980's.
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